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The women who flew for Hitler: a true story of ... Read More

Mulley, Clare(author.).

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  • 1 of 1 copy available at Blue Sky.

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0 current holds with 1 total copy.

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Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
North Bay Public Library 940.544943 Mul 33874005010904 Adult - Non-Fiction Available -

Record details

  • ISBN: 9781250183903
  • Physical Description: xxiii, 470 pages,16 unnumbered pages of plates : ... Read More
    print
  • Edition: First U.S. edition.
  • Publisher: New York : St. Martin's Press, [2017]

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references (pages ... Read More
Formatted Contents Note:
Preface: Truth And Lives -- LONGING FOR FREEDOM, ... Read More
Summary, etc.:
"Despite Hitler's dictates on women's place being ... Read More
Subject: Reitsch, Hanna
Stauffenberg, Melitta Gräfin 1903-1945
World War, 1939-1945 Aerial operations, German
World War, 1939-1945 Women Germany
Air pilots, Military Germany Biography
Women air pilots Germany Biography
Aeronautical engineers Germany Biography
Iron Cross Biography
Summary: "Despite Hitler's dictates on women's place being in the home, two fiercely defiant female pilots were awarded the Iron Cross during the Second World War. Other than this unique distinction and a passion for flying that bordered on addiction, these women could not have been less alike. One was Aryan Nazi poster-girl Hanna Reitsch, an unsurpassed pilot, who is now best-known for being the last person to fly into Berlin-under-siege in April 1945, in order to beg Hitler to let her save him. He refused and killed himself two days later. The other pilot was her antithesis, a brilliant aeronautical engineer and test-pilot Melitta Schenk Grafin von Stauffenberg who was part Jewish. She used her value to the Luftwaffe as a means to protect her family. When her brother-in-law, Claus von Stauffenberg, planned the Valkyrie attack to assassinate the Fuehrer, she agreed to provide the transport. Both women repeatedly risked their lives to change the history of the Third Reich--one in support of and the other in opposition. Mulley shows, through dazzling film-like scenes suffused in glamour and danger, that their interwoven dramas are a powerful forgotten story of conformity and resistance and the very strength of women at the heart of the Second World War"--
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